Jazz Music A Progressive Work of Art - 1163 Words

Jazz music can be likened to a progressive work of art. Throughout its history, Jazz music theory and techniques are continuously advancing and reforming as musicians pursue their interests by seeking new methods of expression. Jazz evolution is perpetual, and can take the form of incorporation of new techniques, adoption of more intricate harmonies and rhythms, or establishment of more elaborate melodies (Gioia). The early 1940s saw an increase in the number of Jazz modernists. As swing music declined in popularity due to various effects of the Second World War, Jazz branched into two very contrasting musical styles. The first of these new and unique styles of Jazz, called Bebop emerged in the 1940s, and was the product of numerous jam sessions in back rooms and after-hours clubs. The movement that unfolded in the later 1940’s and 50’s, called Cool (sometimes referred to as West Coast Jazz) came as a response to Bebop’s later demise. Even though Bebop and Cool s temmed from the big band music of the swing era, their differences are apparent. From its conception, to its musicians, to its audiences, Bebop and Cool came into the Jazz timeline for different reasons. Nevertheless the two musical movements ultimately left a long-lasting and distinctive influence on Jazz music, which is still manifested in Jazz music today. Bebop emerged in New York City in the early 1940s and reached its peak at the end of World War II. The post-war period marked a time where racialShow MoreRelatedThe Art Of The Folk1699 Words   |  7 Pages The Art of the Folk: Jazz, Blues, Folktales, Dance: The Harlem Renaissance During the nineteenth- mid-twentieth century, folk became very popular and widely known within the nation. 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Always under controversy, Kenton and his band always strove to do something different, never settling into a nicheRead MoreEssay about Jazz Styles in America1905 Words   |  8 PagesJazz Styles in America Jazz music has been a part of America for many centuries. It has influenced many time periods and ways of life in America. Tin Pan Alley was a real alley on East Fourteenth Street near Third (in New York), but it was never just a place. Tin Pan Alley has come to be known for an era of songwriting when many musical ideas mixed together to form American popular music. Tin Pan Alley brought together many styles: blues, jazz, musical scores, and ragtime (Burton LaneRead MoreBlack Stereotypes in the Harlem Rennaissance1245 Words   |  5 Pagesartists of the time. St. Louis Blues is a work by a black musician, and features African American folk idioms, such as call and response (between Bessie Smith and the chorus) but there are also European aspects that contribute to the overall work. For example, the chorus, arranged by James Rosamond Johnson and W. C. Handy, is organized in a form called the â€Å"Greek chorus.† This style of choral writing features the chorus as part of the text of a larger work, almost in a narrative form. In the short